Another unused concept art from last year. The setting is suppose to be somewhere in contemporary Toronto during summer so I had to look for some online references. I've been asked a lot about my drawing/painting process so here's one of my simple, speedy but effective process. There's no secret other than first and foremost, lay out all the basics: readable shapes, composition, values and lighting; then proceed to color. I don't even think about textures and overlays for the most part since they're just secondary for me. Enjoy.
Draw the linework. Keep it loose and control the shapes and amount of details. Have fun like when you were a kid.
Apply values using the lasso tool. When done correctly, it gives controlled but bolder, even looser shapes than your line work. This is crucial for it is the very foundation your color. Define the skin tone of elements and apply consistent lighting.
Completed value.
Apply color without loosing the values. I don't use multiply but color brush instead.
Make adjustments in color balance and apply highlights. For those familiar with how I work, I use the old #19 preset brush. No fancy stuff :) Then on the finished piece, I did some last minute adjustments on the lighting for a slightly different time of day, added the ball, applied a simple texture overlay, then turned off the lines layer.
©Armand Serrano.
25 comments:
This is super nice,thks for sharing!! kind regards from South america!
Thanks for the tutorial, really nice and effective. Love the picture too, inspiring shapes and lights!
Beautiful piece, and thanks for sharing your process, Armand! It's so true what you say about making sure everything's working in the beginning.
Wow! love to see b&w to color version process. Your design is really delicate and beautiful!
Hey man, nice work! Thanks for posting the step by step, it's good to remember simplicity and retaining control of the piece. Some might see it as an unneeded separate step, but I love seeing that you establish the value structure first and then use the Color blend mode and enhance from there.
Really nice!
really nice!
Wow this really identifies the stage I am missing when approaching my art! thanks Armand!
Thank you so much for posting these and share your process!
This is great, thanks for uploading, however I am confused on the color part. You apply color with a color brush? Or with a layer mode? Do you paint it in or do you use the lasso and select?
This is great, thanks for uploading, however I am confused on the color part. You apply color with a color brush? Or with a layer mode? Do you paint it in or do you use the lasso and select?
A,
Awesome breakdown of your process. I wonder if our Krylon collab informed your doggie mailbox. I think I like yours better. But the bulldog one was cool too.
:)
...ryan
@phil: I use brush on color mode over a flattened bw layer. I use both lasso and brush to paint it in.
@Ryan: Its a cool thing collaborating with you on commercial projects. I get fresh ideas and they cross over :)
I have several years using a lasso. And paint pictures with his pomoschyu.Mne enjoy.
I am glad that I have such a supporter :)
Hello,
I'm 3d artist , model , texturing and lighting
I'm in a practice time, and i will like make this deviation.
¿can i use this deviation like a concept art to my 3d scene?
Hello,
I'm 3d artist , model , texturing and lighting
I'm in a practice time, and i will like make this deviation.
¿can i use this deviation like a concept art to my 3d scene?
Hello,
I'm 3d artist , model , texturing and lighting
I'm in a practice time, and i will like make this deviation.
¿can i use this deviation like a concept art to my 3d scene?
Excellent work! Interesting to see the grayscale to color process you use. I sometimes use a similar process but use 3D software to rough out values. Reading this kind of validates that thinking and makes me feel like I'm not wasting my time. Thanks!
Really amazing..
Terrific!
Thanks for sharing the process.
Terrific!
Thanks for sharing the process.
awesome! thanks for sharing!
Really amazing stuff. About how long of a time frame do you give yourself for an environment art piece like this one?
Really amazing stuff. About how long of a time frame do you give yourself for an environment art piece like this one?
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